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DESCRIZIONE

Support (PTG): 66 1/4 x 101 3/4 inches (168.3 x 258.4 cm), Signed and dated, lower right: "J. Martin. | 1834"
Accession number: B1978.43.11
Medium: Oil on canvas
Dimensions: Support (PTG): 66 1/4 x 101 3/4 inches (168.3 x 258.4 cm)
Inscriptions: Signed and dated, lower right: "J. Martin. | 1834"
Bibliography: Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, p. 150, no. 61, ND1314.3 Y36 1998 (YCBA)|Paul Mellon's Legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)|Acquisitions : The First Decade 1977-1986, Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1986, pp. 9, 16, no. 38, N590.2 A7 OVERSIZE (YCBA)|Robert Hoozee, British vision : observation and imagination in British art, 1750-1950, , Mercatorfonds Museum voor Schone Kunsten, Brussels , Ghent, 2007, pp. 313, 318, 319-23, 362, no. 256, color detail, p. 318fig. 256, N6767 B78 2007 + OVERSIZE (YCBA)|Michael Freeman, Victorians and the prehistoric, tracks to a lost world, Yale University Press, New Haven, 2004, p. 171, no. 90, QE 705 G7 F74 2004 (YCBA)|John Martin, visions of the biblical flood., Fine Arts Museums of San Francisco, San Francisco, 1997, pp. 2-4, NJ18 M39 S74 1997 (YCBA)|Morton D. Paley, The Apocalyptic Sublime, Yale University Press, New Haven, Conn., 1986, p. 139, no. 66, ND1432 G73 P34 1986|J. Dustin Wees, Darkness Visible : The Prints of John Martin, , Sterling and Francine Clark Art Institute, Williamstown, Mass., 1986, p. 33, no. 23, NJ18 M39 W44 (YCBA)|William Feaver, The Art of John Martin, Clarendon Press, Oxford, 1975, NJ18 M39 F43 (YCBA)|John Martin, 1789-1854, loan exhibition [of] oil paintings, watercolours, prints [held] 30th October-21st November 1975 [at] Hazlitt, Gooden & Fox., Hazlitt, Gooden & Fox, Ltd., London, 1975, pp. 46-7., no. 53, NJ18 M39 H39 (YCBA)|Lynn Robert Matteson, Apocalyptic themes in British romantic landscape painting, 1984, Film B43 (YCBA)|Christopher Johnstone, John Martin, Academy Editions, London, 1974, p. 17-18, 72, 75, NJ18 M39 +J65 Oversize (YCBA)|Thomas Balston, John Martin, 1799-1854, his life and works., G. Duckworth, London, 1947, pp. 18, 56, 88-, NJ18 M39 B35 (YCBA)|Mary L. Pendered, John Martin, Painter : His Life and Times, , Hurst & Blackett, London, 1923, pp. 131-139, p. 132, NJ18 M39 P4 1923 (YCBA)|Thomas Buser, Religious art in the nineteenth century in Europe and America, v. 28a-28b, Edwin Mellen Press, Lewiston, N.Y., 2002, no. 12, N7875 B88X 2002 (DIVINTY)|Norman Cohn, Noah's flood, the Genesis story in Western thought, Yale University Press, New Haven, CT, 1996, no. 34, BS658 C64X 1996 (Bass)|Gustav Friedrich Waagen, Works of Art and Artists in England. By G.F. Waagen, Director of the Royal Gallery at Berlin, British and Foreign Review, July 1839, pp. 31, 39 -41, Available Online: British Periodicals II Also available: WC 18931 (LSF - Mudd)|John Martin - The Dante-Milton of Painters, Hood's Magazine, July 1846, p. 91, A88 H76 (LSF) Available online in British Periodicals Database.|Fine Art Gossip, Athenaeum, no. 1088, September 1848, p. 885, Available online: British Periodicals II Also available: .A88 At421 + (SML)|British Institution: Exhibition of Ancient Masters, Athenaeum, July 1854, p. 819, Available online in British Periodicals II Also available: A88 At421 + (SML) Available online in British Periodicals II|Gustave Dore, London Review of Politics, Society, Literature, Art and Science, vol. 11, September 1865, p. 668, Film S2228 (SML) Available online in British Periodicals database.|S. M. Ellis, Current Literature, Fortnightly Review, vol. 116, July 1924, pp. 138-41, A88 F778 (SML) Available online in British Periodicals database.|The John Martin Exhibition, a Once-Famous Biblical Painter, Illustrated London News, vol. 223, no 5974, October 17, 1953, p. 601, Available online: Illus.London News Hist. Archive|Evan R. Firestone, John Linnell: The Eve of the Deluge, Bulletin of the Cleveland Museum of Art, vol. 62, April 1975, pp. 131-9, J418 C65D (SML) Also available on line in JSTOR|Deluge (mezzotint with etch, 1828), Magazine Antiques, vol. 120, November 1981, p. 1159?, NK1125 A3 (HAAS)|Lynn Robert Matteson, John Martin's Deluge: A Study in Romantic Catastrophe, Pantheon, vol. XXXIX/III, July-August-September 1981, pp. 220-228, N3 P3 OVERSIZE (HAAS)|Giovanni Mariotti, John Martin: Visions of the Biblical Flood, FMR, October/November 1997, pp. 20-32, N1 F16 OVERSIZE (HAAS)|John Martin, Editions Treville Co., Ltd. , Tokyo, 2009, p. 33, cat. 15, NJ18 M39 A12 2009 (YCBA)|Holland Cotter, A Master of Biblical Floods and Final Days, New York Times, 14 September 1997, p. AR33, Yale Internet Resource|Anny Sadrin, John Martin - The Deluge, Interfaces, v. 7, 1995, pp. 11-26, cover, V 0597 (YCBA)|Morton D. Paley's The Apocalyptic Sublime, Apollo, v. 125, no. 300, February 1987, pp. 150-51, N1 A54 + (YCBA)|Richard Verdi, Poussin's Deluge: The Aftermath, Burlington Magazine, v. 123,no.940, July 1981, p. 398, N1 B87 + (YCBA)|Joseph Grego, Art on the Queen's Accession, Magazine of Art, January 1887, p. 368, N1 M34 + (YCBA) Available online in the British Periodicals Database|The Exhibition of the Royal Academy, Monthly Magazine, v. 3:18, June 1840, p. 664, Yale Internet Resource Available online in British Periodicals Database|John McDonald, A Feast of Mellon, Sydney Morning Herald, May 9, 1998, p. 14, Film An Sy25 (SML) Also Available Online (Factiva database)|Barbara C. Morden, John Martin : Apocalypse Now!, , Northumbria University Press, Newcastle Upon Tyne, 2010, pp. 52, 57-58, NJ18 M39 +M67 2010 Oversize (YCBA)|Lars Kokkonen, Apocalypse Now (Nachtliche Ergusse), John Martins Profanitat im England des 19. Jahrhunderts, Belvedere : Zeitschrift fur Bildende Kunst, 9 Jahr, Heft 1, 2003, pp. 33,34-35, Abb. 2, Not Available at Yale|Julian Bell, Wonderland, TLS, the Times Literary Supplement, Issue no. 5463, December 14, 2007, pp. 11-12, Film S748 (SML) Also Available Online in TLS Archive|Martin Myrone, John Martin, apocalypse, Tate Publishing, London, 2011, pp. 54, 106, 163, 201, NJ18.M39 A12 2011 Oversize (YCBA)|Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, pp. 9, 16, no. 38, N1 B87 128:3 OVERSIZE (YCBA)|Emma Barker, Art & visual culture, 1600-1850 : academy to avant-garde, , Tate Publishing, London, 2012, p. 213, pl. 5.32, N6756 .A78 2012 (YCBA)
Collection: Paintings and Sculpture

DETTAGLI

LICENZA : Yale Center for British Art, Paul Mellon Collection
ARGOMENTI : # in Arti / Stili artistici / Storia dell'arte e stili artistici: dal 1800 al 1900
TAG : tag: painting , religious and mythological subject , rocks (landforms) , people , violence , night , lightning , Destruction , Family , science , meteorology , Noah's arks , Boats , heaven , wife , Geology , Sea , moon , Sun , comet
DATAZIONE: 1834 -