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Dinas Bran from Llangollen

Yale Center for British Art,

DESCRIZIONE

View in Wales, A View Near Wynnstay with Dinas Bran in the Distance, Dinas Bran near Llangollan 1770, View of Llangollen, Castell Dinas Bran, Support (PTG): 71 × 96 3/8 inches (180.3 × 244.8 cm), Label on verso, center: “Thos. Agnew & Sons Ltd. | [logo] No 34222 | [...] | London, | 43, Old Bond Street. | Piccadilly, W.”; upper center: “[...] | Royal Academy Exhibition of the Works of the Old Masters, [...] | Name of Artist Wilson | Title of Work The V[...] of Llangollen | Name and Address of P[...] | Sir Watkin Williams Wynn [...] | [...]”
Accession number: B1976.7.83
Medium: Oil on canvas
Dimensions: Support (PTG): 71 × 96 3/8 inches (180.3 × 244.8 cm)
Inscriptions: Label on verso, center: “Thos. Agnew & Sons Ltd. | [logo] No 34222 | [...] | London, | 43, Old Bond Street. | Piccadilly, W.”; upper center: “[...] | Royal Academy Exhibition of the Works of the Old Masters, [...] | Name of Artist Wilson | Title of Work The V[...] of Llangollen | Name and Address of P[...] | Sir Watkin Williams Wynn [...] | [...]”
Bibliography: Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, pp. 16, 78, no. 26, fig. 15, ND1314.3 Y36 1998 (YCBA)|Paul Mellon's Legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 +P381 2007, Mellon Shelf (YCBA)|Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 252, 253, N590.2 A83 (YCBA)|Michael Rosenthal, The art of Thomas Gainsborough, "a little business for the eye", Yale Center for British Art, New Haven, 1999, p. 204, pl. 201, NJ18 G16 R67 1999 (YCBA)|David H. Solkin, Richard Wilson, the landscape of reaction, Tate Publishing, London, 1982, pp. 120, 130-31, 237, 238, no. 133, col. pl. XVI\; no. 133, NJ18 W72 S65 + (YCBA)|W. G. Constable, Richard Wilson, Routledge & Kegan Paul, London, 1953, pp. 175-76, no. 36, pl. 26a, NJ18 W72 C55 (YCBA)|Jill H. Casid, Sowing empire, landscape and colonization, University of Minnesota Press, Minneapolis, 2005, p. 180, SB121 C27 2005 (YCBA)|Malcolm Cormack, A Selective Promenade, Apollo, v.105, no. 182, April 1977, pp. 286-8, fig. 1, N1 A54 + (YCBA) Another copy of this article may be found in a separately bound and catalogued copy of this issue located on the Mellon Shelf [call number : N5220 M552 A7 1977 + (YCBA)]|E. H. Gombrich, Visual Discovery through Art, Arts Magazine, November 1965, pp. 17-28, N1 A415 OVERSIZE (HAAS)|David H. Solkin, Exhibition Catalogue Review, Pantheon, vol. 41, Jan-March 1983, pp. 70-71, N3 P3 OVERSIZE (HAAS)|David H. Solkin, Exhibition Catalogue Review, Journal of Garden History, vol. 3, July-Sept. 1983, pp. 249-51, SB451 J68 (SML & HAAS)|Stephen Daniels, Paul Sandby, picturing Britain, Royal Academy of Arts, London, 2009, fig. 50, NJ18 Sa56 P3 2009 + OVERSIZE (YCBA)|William Laffan, Thomas Roberts, landscape and patronage in eighteenth-century Ireland., Churchill House Press, Tralee, 2009, pp. 250-1, fig. 203, NJ18.R544 L35 2009 + (YCBA)|Horsfall Turner, Olivia., Nobleness & grandeur, forging historical landscape in Britain 1760-1850., Yale Center for British Art, New Haven, CT, 2005, p. 13, no. 23, V 1420 (YCBA)|David Bindman, The History of British Art, Yale Center for British Art, New Haven, CT, 2008, pp. 39-40(v.2), fig. 12, N6761 +H57 2008 Oversize (YCBA)|British Art at Yale, Apollo, v.105, no. 182, April 1977, pp. 286-8, fig. 1, N5220 M552 A7 1977 OVERSIZE (YCBA) Published as April 1977 issue of Apollo; all of the articles may also be found in bound Apollo Volume [N1 A54 105:2 +]|Art Treasures Exhibition (Manchester, England), Catalogue of the art treasures of the United kingdom., Bradbury and Evans, London, 1857, pp. 83-84, no. 151 or 162, N5056 M35 M25 1857 (YCBA)|Catalogue of an exhibition of pictures by Richard Wilson and his circle : organized by the City Museum and Art Gallery, Birmingham, January, 1949, The Tate Gallery, London, , Tate Britain, London, 1949, p. 24, no. 63, NJ18 W72 T37 (YCBA)|Elizabeth A. Pergam, The Manchester Art Treasures Exhibition of 1857, entrepreneurs, connoisseurs and the public, Ashgate Publishing, Surrey, UK, England Burlington, VT, 2011, p. 312, No. 151 in AT Ex, N5056 M35 P47 2011 (YCBA)|Catalogue of pictures by Richard Wilson and his circle, November 17-January 9 1948-9, City Museum & Art Gallery Birmingham, Birmingham, 1948, p. 21, no. 64, V 2449 (YCBA)|W. G. Constable, Richard Wilson, some pentimenti, Burlington Magazine, vol. 614, May 1954, p. 140, N1 B87 96 OVERSIZE (YCBA)|Brinsley Ford, The Drawings of Richard Wilson, Faber & Faber, London, 1951, pp. 38, 63, NJ18 W72 F6 1951 OVERSIZE (YCBA)|Peter Lord, Gwenllian, essays on visual culture, Gomer Press, Llandysul, Dyfed, 1994, p. 43, N6792 L67 1994 (YCBA)|Peter Lord, Imaging the nation, University of Wales Press, Cardiff, 2000, pp. 116-123, fig. 185, N6792 L675 2000 (YCBA)|Brinsley Ford, Sir Watkin Williams-Wynn, A Welsh Maecenas, Apollo, vol. 99, June 1974, p. 438, N1 A54 99:2 OVERSIZE (YCBA)|Denys Sutton, A meditative love of nature, The Richard Wilson Exhibition, Apollo, vol. 117, 1983, p. 44, N1 A54 117:1 OVERSIZE (YCBA)|Malcolm Andrews, The Search for the Picturesque, Landscape aesthetics and Tourism in Britain, 1760-1800, Scolar Press, Aldershot, England, 1989, pp. 114-15, fig. 29, BH301 L3 A53 (YCBA)|Brinsley Ford, The Richard Wilson Exhibition at Birmingham, Burlington Magazine, vol. 90 no. 548, November 1948, p. 326, N1 B87 90 OVERSIZE (YCBA)|Art Treasures Exhibition, Manchester Times, Manchester, Saturday, June 6, 1857, p. 7, Online Resource Available online at 19th Century British Library Newspapers|Art Exhibitions, English Landscapes, The Times (London), London, Friday, November 19, 1926, p. 12, Available online : Times Digital Archive Also available on Microfilm : An T482 (SML)|Thomas Wright, Some account of the life of Richard Wilson, Esq. R.A., Longman, London, 1824, pp. 14, 106, 272, ND497 W7 W7 OVERSIZE (RARE BOOKS YCBA)|John Cassell's Art treasures exhibition, containing engravings of the principal masterpieces of the English, Dutch, Flemish, French and German schools, with biographical sketches of the painters, and critical notices of their productions, W. Kent and Co., London, 1858, p. 110, N5056 .M36 C3 1858 (YCBA RARE BOOKS) Also available at SML Fiche B1244 Fiche N.4.2.215 and online at books.google.com|Royal Academy of Arts, Exhibition Catalogue. 1771. 3d, Exhibition of the Royal Academy of Arts, no. 3, London, 1771, p. 21, no. 222, N5054 A53 (YCBA)|Frederick Burwick, The Romantic imagination, literature and art in England and Germany, Rodopi, Amsterdam, Atlanta. GA, 1996, p. 226, fig. 81, NX543 R65 1996 (YCBA)|Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 76, ND466 G67 (YCBA)|Emma Barker, Art & visual culture, 1600-1850 : academy to avant-garde, , Tate Publishing, London, 2012, pp.274, 276, pl. 7.15, N6756 .A78 2012 (YCBA)|Martin Postle, Richard Wilson and the transformation of European landscape painting, Yale University Press, New Haven, 2014, p. 113, 138-39, 165-66, 186, 199-200, 266-67, Cat. No. 81, NJ18.W72 R53 2014 OVERSIZE (YCBA)|Luke Herrmann, [ Exhibition Reviews ] Richard Wilson and the Transformation of European Landscape Painting, YCBA, New Haven, 6 March - 1 June National Museum Wales / Amueddfa Cymru, Cardiff 5 July - 26 October, British Art Journal, Vol. 15, Autumn 2014, p. 121, N6761 B74 OVERSIZE (YCBA)|David Stacey, [ Exhibition Reviews ] And another view of the Richard Wilson exhibition ..., British Art Journal, vol. 15, Autumn 2014, p. 123, N6761 B74 OVERSIZE (YCBA)|Ron Radford, Island to empire : 300 years of British art, 1550-1850 : paintings, watercolours, drawings, sculptures from the collection of the Art Gallery of South Australia, Adelaide, Art Gallery of South Australia, Adelaide, 2005, pp. 144, 146, N3913.5 .R34 2005 (LC)+ Oversize (YCBA)|Peter Lord, The tradition : a new history of Welsh art, 1400-1990, Parthian, Cardigan, 2016, pp. 104-05, fig. 108, N6792 .L678 2016 OVERSIZE (YCBA)|Robin Simon, Royal Academy of Arts: History and Collections, New Haven, p. 80, fig. 65, N1100 A869 2018 (LC) Oversize (YCBA)|Spencer-Longhurst, Paul, with Kate Lowry and David Solkin, Richard Wilson Online : A Digital Catalogue Raisonne, , The Paul Mellon Centre for Studies in British Art, London, 2014, no. P165, Available online : http:www.richardwilsononline.ac.uk/index.php?WINID=1582051040261 (Website)
Collection: Paintings and Sculpture

DETTAGLI

LICENZA : Yale Center for British Art, Paul Mellon Collection
ARGOMENTI : # in Arti / Stili artistici / Storia dell'arte e stili artistici: dal 1600 al 1800
TAG : tag: painting , village , Sheep , ruins , bridge (built work) , castle , costume , country house , Tools , bucket , landscape , Men , woman , laundering , Welsh , valley , axe , Family , laborers , river , fort , fortress , Hills
DATAZIONE: 1770 - 1771