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DESCRIZIONE

The First Zebra Seen in England, Portrait of a Zebra, standing, turned to the left, in a park, Support (PTG): 40 1/2 x 50 1/4 inches (102.9 x 127.6 cm)
Accession number: B1981.25.617
Medium: Oil on canvas
Dimensions: Support (PTG): 40 1/2 x 50 1/4 inches (102.9 x 127.6 cm)
Bibliography: Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, pp. 4, 114-5, no. 42, ND1314.3 Y36 1998 (YCBA)|John Baskett, Paul Mellon's legacy, a passion for British art : masterpieces from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 2007, pp. 1, 6, 252, no. 23, fig, 1, pl. 23, N5220 M552 P38 2007 OVERSIZE (YCBA)|Venetia Morrison, The art of George Stubbs, Wellfleet Press, Seacaucus, N.J., 1989, pp. 138-9, NJ18 St915 M67 1989+ (YCBA)|Stephen Deuchar, Noble exercise, the sporting ideal in eighteenth-century British art, Yale Center for British Art, New Haven, 1982, pp. 31,34,47, no. 77, ND1388 G7 D48+ (YCBA)|Judy Egerton, British Sporting and Animal Paintings 1655-1867: A Catalogue, The Paul Mellon Collection, Tate Publishing, London, 1978, pp. 74-75, no. 74, Colour Pl.11, ND1383 G7 B75 OVERSIZE (YCBA)|Lindsay Rothwell, Paul Mellon's legacy, an American's passion for British art : Sackler Wing of Galleries, 20 October 2007 - 27 January 2008 : an introduction to the exhibition for teachers and students., Royal Academy of Arts, London, UK, 2007, p. 21, fig. 2, V 2038 (YCBA)|Paul Mellon's Legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v.1, N5220 M552 +P381 2007, Mellon Shelf (YCBA)|William Vaughan, British painting, the Golden Age from Hogarth to Turner, Thames and Hudson, London, 1999, p. 169, no. 115, ND466 V28 1999 (YCBA)|Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon., Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 166 (v. 1), no. 315, pl. 164, ND466 V57 v.1-2 (YCBA)|National Gallery of Art, Painting in Georgian England from the collection of Mr. and Mrs. Paul Mellon., National Gallery of Art, Washington, D.C., 1970, p. 6, no. 16, ND488 P25 (YCBA)|Malcolm Warner, Great British paintings from American collections, Holbein to Hockney, Yale Center for British Art, New Haven, CT, 2001, pp. 103-5, no. 33, ND464 W27 2001 (YCBA)|Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965., vol. 1, W. Clowes and sons, New Haven, 1965, pp. 47-8 (v.1), no. 179, pl. 53, ND466 Y35 (YCBA)|Andrew Graham-Dixon, A history of British art, BBC, London, UK, 1996, pp. 121-2, pl. 45, N6761 G72 1996 (YCBA)|Malcolm Cormack, Country pursuits, British, American, and French sporting art from the Mellon collections in the Virginia Museum Of Fine Arts, Virginia Museum of Fine Arts, Richmond, Charlottesville, 2007, p. 11, ND1383 G7 V57 2007 + OVERSIZE (YCBA)|Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 75 (v. 1), no. 267, pl. 53, ND466 R68 1964/65 (YCBA) Also available on Microfiche: Fiche B214 (YCBA)|Constance-Anne Parker, Mr. Stubbs, the Horse Painter, J. A. Allen, London, 1971, p. 88, NJ18 St915 +P37 Oversize (YCBA)|Oliver Millar, The later Georgian pictures in the Collection of Her Majesty the Queen., Phaidon, London, 1969, p. xvii (v. 1), ND466 M55 (YCBA) +|Judy Egerton, George Stubbs, painter, catalogue raisonne, Yale University Press, New Haven, Conn., London, 2007, pp. 50-1, 180-1, no. 40, fig. 4, NJ18 St915 A12 E44 2007 + (YCBA)|Stubbs, an exhibition in honor of Paul Mellon : National Gallery of Art, 4 May-2 June 1985., National Gallery of Art, Washington, D.C., 1985, no. 27, V 0413 (YCBA)|Judy Egerton, George Stubbs, 1724-1806, [exhibition] Tate Gallery., Tate Publishing, London, 1984, p. 112, no. 77, NJ18 St915 E43 (YCBA) +|Basil Taylor, Stubbs, Phaidon, London, 1975, p. 209, pl. 56, NJ18 St915 T39 1975 (YCBA) +|Malcolm Warner, George Stubbs, his patrons and collectors, Magazine Antiques, vol. 166, no. 6, December 2004, p. 70, pl. XII, V 1629 (YCBA) Available Online (Orbis).|Basil Taylor, Stubbs, Phaidon, London, 1971, p. 209, pl. 56, NJ18 St915 T39 (YCBA) +|Dorcas Macclintock, Animals observed, a look at animals in art, Scribner, New York Toronto New York, 1993, p. 33, N7660 M25 1993 (YCBA)|Dorcas Macclintock, Queen Charlotte's zebra, 1992, p.5, front cover, V 0143 (YCBA)|Alec Guinness, My name escapes me, the diary of a retiring actor, Hamish Hamilton, London, 1996, p. 171, PN2598 G8 A34 1996 (Bass)|Walter Gilbey, Life of George Stubbs, R.A., Vinton, London, 1898, p. 167, NJ18 St915 G55 (HAAS)|Malcolm Cormack, George Stubbs in the collection of Paul Mellon, a memorial exhibition, Yale Center for British Art, New Haven, Conn., 1999, p. 39, no. 19, NJ18 St915 G54 1999 (YCBA) Copy 2 is on Mellopn Shelf|Paul Mellon's legacy, a passion for British art : April 18-July 29, 2007, Yale Center for British Art, New Haven, Conn., 2007, back cover, V 1735 (YCBA)|Geoffrey Agnew, Yale's 1700 Mellon Pictures, The Times (London), issue no. 59989, Thursday, April 28, 1977, p. 9, Available Online : Times Digital Archive Also available on Microfilm : Film An T842 (SML)|J. B. Myers, Other, Artforum International, Vol. 21, March 1983, p. 44-49, N1 A814 OVERSIZE (HAAS)|John Baskett, Painting in England: 1700-1850, the Collection of English paintings formed by Mr and Mrs Paul Mellon : on Exhibition at the Museum of Fine Arts, Richmind, untik August 18th, Connoisseur, Vol. 153, June 1963, pp. 102, 105, N1 C75 + (YCBA)|Marina Warner, The Analyst: Whether Painting Men or Horses, George Stubbs Knew What Made Them Tick, Connoisseur, v. 215,, March 1985, p. 134, N1 C75 + (YCBA)|Christie's sale catalogue : Catalogue of the Valuable Collection of Pictures & Drawings and Engravings of the Early English School of Sir Walter Gilbey : 12 March, 14 March and 15 March 1910, Christie's, Christie, Manson & Woods, London, March 12, 14 and 15, 1910, p. 26, Lot 147, Fiche B51, Fiche# 1408 (YCBA)|Christie's sale catalogue: Catalogue of a Valuable Collection of Sporting Pictures, Drawings, Engravings and Early English Mezzotints, the property of Walter Gibney : 25 May 1891, Christie's, Christie, Manson & Woods, London, May 25, 1891, p. 22, Lot 348, Fiche B51, Fiche # 0574 (YCBA) Also Avaialble online : Art Sales Cataalogues - Lugt # 50014|Christie's sale catalogue: Catalogue of Early English portraits and Ancient and Modern Pictures and Drawings : 15 June 1923, Christie's, Christie, Manson & Woods, London, June 15, 1923, p. 14, Lot 58, Fiche B51, Fiche# 2127 (YCBA)|Sotheby's sale catalogue : Catalogue of Valuable Pictures by Old Masters of the Italian and Dutch Schools : 16 May 1928, Sotheby's, London, May 16, 1928, p. 33, Lot 130, Film B12, Reel 90 of 155 (YCBA)|Paul Mellon, Reflections in a silver spoon, a memoir, W. Morrow, New York, 1992, pp. 281, 291, N5220 M552 1992 (YCBA)|Thorvaldsens Museum, Aftenlandet, motiver og stemninger i dansk landskabsmaleri omkring êar 1800., Thorvaldsens Museum, Copenhagen, 2011, pp. 173-75, ND1361.5 A47 2011 (YCBA)|John McDonald, A Feast of Mellon, Sydney Morning Herald, May 9, 1998, p. 14, Film An Sy25 (SML) Also Available Online (Factiva database)|Lindsay Duguid, The Recollected Works, TLS, the Times Literary Supplement, Issue no. 5458, November 8, 2007, p. 17, Available Online : TLS Archive Also Available on microfilm : Film S748 (SML)|Society of Artists of Great Britain, A catalogue of the pictures, sculptures, models, drawings, prints, &c. exhibited by the Society of Artists of Great Britain, 1763, p. 8, no. 121, N5055 S6 C3 (RARE BOOKS, YCBA) Also Available online in Eighteeneth Century Colectionc Online|Herbert W Rott, George Stubbs, 1724-1806, science into art, Prestel, Munich ; New York, 2012, pp. 180-81, cat. no. 45, NJ18.St915 A1213 2012 + OVERSIZE (YCBA)|Robin Blake, George Stubbs and the wide creation, animals, people and places in the life of George Stubbs, 1724-1806, Chatto & Windus, London : Chatto & Windus, 2005, 2005, pp. 215, 278, cl. pl. 11, NJ18.St915 B53 2005 (YCBA)|John Baskett, Zebra by George Stubbs, http:www.youtube.comvVVp_eX-JKRA, October 30, 2008, Available Online via YouTube video|Michael Glover, Scenes from Afar, The Times (London), Saturday, September 22, 2007, p. 28, Available Online : Times Digital Arcive Also available on Microfilm: Film An T482 (SML)|Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 62, ND466 G67 (YCBA)|Robert Michael Neuman, Baroque and Rococo art and architecture, Pearson, Boston, 2013, p. 401, N6415.B3 N48 2013 (YCBA)|A Great Collection of British Pictures in Virginia, The Times (London), Issue No. 55689, May 1, 1963, p. 22, Available Online : Times Digital Archive Also available on Microfilm: Film An T482 (SML)|Giles Waterfield, Mr Mellon, RA : the magazine for the Friends of the Royal Academy, No. 96, Autumn 2007, p. 71, V 1905 (YCBA) Detached from RA, no.96 (2007:Autumn)|A Zebra, a tigress and a cheetah : new light on Geirge Stubbs's exotic animal subjects, British Art Journal, Vol. 15, Autumn 2014, pp. 99-100, 101, 107, pl. 1, N6761 B74 OVERSIZE (YCBA)|Mark Laird, A natural history of English gardening, 1650-1800, The Paul Mellon Centre for Studies in British Art, New Haven, 2015, pp. 248, 250, pl. 222, SB457.6 .L35 2015 OVERSIZE (YCBA)|Christopher Plumb, The Georgian menagerie : exotic animals in eighteenth-century London, I.B. Tauris, London, 2015, p. 186, fig. 8, QL73.G72 L667 2015|Joanna Marschner, Enlightened Princesses : Caroline, Augusta, Charlotte, and the Shaping of the Modern World, Yale University Press, New Haven, Conn, 2017, p. 481, 512, fig. 29.11, 29.50, NX543 +.E55 2017 Oversize (YCBA)|Melinda Ruth McCurdy, An 18th-Century Star in Stripes, http:huntingtonblogs.org201801an-18th-century-star-in-stripes, Verso Huntington Blogs, January 31, 2018, Available Online|Regina Karl, Screens, genealogies of the excessive screen, a Mellon Sawyer seminar at Yale, Yale Center for British Art, New Haven, p. 10, V 2776 (YCBA)|Lawrence Trevelyan Weaver, Painter of pedigree, Thomas Weaver of Shrewsbury, Animal Artist of the Agricultural Revolution, London, p. 303, NJ18.W3733 W43 2017 (LC) (YCBA)|Amy Meyers, My Favourite Painting: Amy Meyers, https:www.countrylife.co.ukluxuryart-and-antiques/my-favourite-painting-amy-meyers-86337, Country Life, May 13, 2016, Available Online|Gill Gregory, The Studio, A Psychoanalytic Legacy, Free Publishing Limited, London, p. 47-60, PR6107.R44475 S78 2015 (LC) (YCBA)|Nathan Flis, William Hunter and the Anatomy of the Modern Museum, Yale University Press, New Haven, CT, p. 362, fig. 198, AM343 .W545 2018 (LC) Oversize (YCBA)|Christopher Plumb, Zebra, Reaktion Books, London, UK, p. 69, QL737.U62 P58 2018 (LC) (YCBA)|Martina Droth, Britain in the world: Highlights from the Yale Center for British Art in honor of Amy Meyers, Yale University Press, New Haven, London, p. 56, N6761 .Y33 2019 (LC) (YCBA)
Collection: Paintings and Sculpture

DETTAGLI

LICENZA : Yale Center for British Art, Paul Mellon Collection
ARGOMENTI : # in Arti / Stili artistici / Storia dell'arte e stili artistici: dal 1600 al 1800
TAG : tag: painting , Gifts , exoticism , animal art , zebra (mammal) , animal , dark , Forest , landscape
DATAZIONE: 1763 -