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A Repose after Shooting

Yale Center for British Art,

DESCRIZIONE

Support (PTG): 40 1/4 x 50 1/2 inches (102.2 x 128.3 cm), Label on verso, upper left: “Pitt & Scott Ltd | London | [handwritten] Wildenstein | [typed] B O [handwritten] 6879 | 02”, Signed and dated, lower right: "Geo : Stubbs pinxit | 1770"
Accession number: B1976.7.88
Medium: Oil on canvas
Dimensions: Support (PTG): 40 1/4 x 50 1/2 inches (102.2 x 128.3 cm)
Inscriptions: Label on verso, upper left: “Pitt & Scott Ltd | London | [handwritten] Wildenstein | [typed] B O [handwritten] 6879 | 02”|Signed and dated, lower right: "Geo : Stubbs pinxit | 1770"
Bibliography: Julia Marciari-Alexander, This other Eden, paintings from the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1998, pp. 118-121, no. 47, ND1314.3 Y36 1998 (YCBA)|Venetia Morrison, The art of George Stubbs, Wellfleet Press, Seacaucus, N.J., 1989, pp. 63-88, NJ18 St915 M67 1989+ (YCBA)|Stephen Deuchar, Noble exercise, the sporting ideal in eighteenth-century British art, Yale Center for British Art, New Haven, 1982, pp. 10-11, 21,42, no. 20, ND1388 G7 D48+ (YCBA)|Judy Egerton, British Sporting and Animal Paintings 1655-1867: A Catalogue, The Paul Mellon Collection, Tate Publishing, London, 1978, pp. 81-83, no. 79, pl. 31, ND1383 G7 B75 OVERSIZE (YCBA)|Paul Mellon's Legacy, a passion for British art. [large print labels], Yale Center for British Art, New Haven, CT, 2007, v.1, N5220 M552 +P381 2007, Mellon Shelf (YCBA)|Ronald Paulson, Emblem and expression, meaning in English art of the eighteenth century, Thames and Hudson, London, 1975, pp. 176-8, no. 110, NX543 P38 (YCBA)|Stephen Deuchar, Sporting art in eighteenth-century England, a social and political history, Yale University Press, New Haven, 1988, pp. 40-41, N8250 D48 (YCBA)|Judy Egerton, George Stubbs, painter, catalogue raisonne, Yale University Press, New Haven, Conn., London, 2007, pp. 250,252-54, no. 85, NJ18 St915 A12 E44 2007 + (YCBA)|Stubbs, an exhibition in honor of Paul Mellon : National Gallery of Art, 4 May-2 June 1985., National Gallery of Art, Washington, D.C., 1985, no. 3, V 0413 (YCBA)|John Wilmerding, In honor of Paul Mellon, collector and benefactor, Essays, National Gallery of Art, Washington, DC & Hanover, NH, 1986, pp. 85-94, fig. 4, N7442.2 M455 1986 (YCBA)|Robert Fountain, Stubbs' dogs, the hounds and domestic dogs of the eighteenth century as seen through the paintings of George Stubbs, Arthur Ackermann & Son Ltd., London, 1984, pp. 44-47, NJ18 St915 A12 (YCBA) +|Judy Egerton, Stubbs, portraits in detail, Tate Publishing, London, 1984, pp. 26-9, NJ18 St915 E45 (YCBA)|Judy Egerton, George Stubbs, 1724-1806, [exhibition] Tate Gallery., Tate Publishing, London, 1984, pp. 109-11, no. 76, NJ18 St915 E43 (YCBA) +|Basil Taylor, Stubbs, Phaidon, London, 1975, p. 41, 209, pl. 50, NJ18 St915 T39 1975 (YCBA) +|Malcolm Warner, George Stubbs, his patrons and collectors, Magazine Antiques, vol. 166, no. 6, December 2004, pp. 69, 70, V 1629 (YCBA) Available Online (Orbis).|Harold Hugo, A Portfolio honoring Harold Hugo for his contribution to scholarly printing., Meriden-Stinehour, Meriden, CT, 1978, no. 31, AC5 P83 + (HAAS Special Collections) Another Copy is avaioable at BRBL [1978 +355]|Malcolm Cormack, George Stubbs in the collection of Paul Mellon, a memorial exhibition, Yale Center for British Art, New Haven, Conn., 1999, pp. 68-69, no. 50, NJ18 St915 G54 1999 (YCBA) Copy 2 is on Mellopn Shelf|Geoffrey Agnew, Yale's 1700 Mellon Pictures, The Times (London), issue no. 59989, Thursday, April 28, 1977, p. 9, Available Online : Times Digital Archive Also available on Microfilm : Film An T842 (SML)|Judy Egerton, George Stubbs and the Landscape of Creswell Crags, Burlington Magazine, vol. 126,no.981, December 1984, p. 738, fig. 2, N1 B87 + (YCBA) Available online in JSTOR.|Christie's Sale Catalogue: British Pictures 1500-1850. 1 December 2000, Christie's, 2000, p. 60, no. 60, Sales Catalogues (YCBA)|Simon Schama, The Yale Centre for British Art, TLS, the Times Literary Supplement, Issue no. 3923, May 20, 1977, p. 619, Film S748 (SML) Also avaiable online in TLS Historical Archive (ORBIS)|Robin Blake, George Stubbs and the wide creation, animals, people and places in the life of George Stubbs, 1724-1806, Chatto & Windus, London : Chatto & Windus, 2005, 2005, pp. 172-76, pl. 23, NJ18.St915 B53 2005 (YCBA)|Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 62, ND466 G67 (YCBA)|Mark Hallett, Reynolds : portraiture in action, The Paul Mellon Centre for Studies in British Art, New Haven, 2014, pp. 239, 241, 242, fig. no. 224, NJ18.R36 H35 2014 OVERSIZE (YCBA)|Roberta Smith, Horses, Hounds and Men, at Work and at Play, New York Times, August 7, 2015, p. C22, Available online : Proquest .com/nytimes|Mark Laird, A natural history of English gardening, 1650-1800, The Paul Mellon Centre for Studies in British Art, New Haven, 2015, pp. 259, 260, pl. 234, SB457.6 .L35 2015 OVERSIZE (YCBA)|John Ford, Ackermann 1783-1983 : the business of art, London, 1983, p. 159, N8640 A25 +F67 (YCBA)
Collection: Paintings and Sculpture

DETTAGLI

LICENZA : Yale Center for British Art, Given by Paul Mellon in memory of his friend James Cox Brady, Yale College, Class of 1929
ARGOMENTI : # in Arti / Stili artistici / Storia dell'arte e stili artistici: dal 1600 al 1800
TAG : tag: painting , dogs (animals) , Forest , guns , costume , landscape , Hunters , leisure , Men , hunting , sporting art , rifles (long guns) , series (groups) , sportsmen , river
DATAZIONE: 1770 -